Bill Sharp

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Artists

"Transit of Venus", 2016, mixed media on paper, 32" x 42.5"

Fred Birchman

"Sugar Cubes", 2016, oil on panel, 12 x 16"

Brian Blackham

"Red Stripe Room", 2016, Archival Inkjet Print, ed. of 3, 20 x 20"

David Brody

Untitled, 1983, Polaroid print

Marsha Burns

"Paris Mountain", 2016, oil on canvas

Kimberly Clark

"Grey Clouds Over Ghost Buildings", 2011, graphite, watercolor and gouache on paper, 5 x 6.75"

Sally Cleveland

"Concrete Form #5", 2011, graphite on paper, 23 x 29" paper size

Steve Costie

"Dentil", 2013, ink on paper, 17 x 23"

John Fadeff

"Odds", 2016, archival ink jet, 20 x 15"

Ellen Garvens

"Ellis Cove Trail", 2016, walnut ink on paper, 5.75 x 3.75"

Kathy Gore Fuss

"Melt", 2012, oil on canvas, 66 x 62”

Philip Govedare

“All the Livings Things: Doll’s Eye, 6.5.16″, 2016, oil on Shikishi Kochi handmade paper, 9.5″ x 9.5”

Jim Holl

"K.M. (backyard)", 2011, acrylic on canvas, 16.25 x 11"

Michael Howard

"Pink Wig", 2015, oil on canvas board, 11 x 14"

Amy Huddleston

False Mirror, 2016, archival inkjet print, 9.5 x 14.25 ”, ed. ¼

Caroline Kapp

"Fjallabek", 2002, archival pigment print on rag paper, 16.5 x 22” on 19" x 24” paper

Dianne Kornberg

"Aracuna", 2015, archival pigment print, 8 x 10"

Carolyn Krieg

Mikleyn

Phillip Levine

"Hallway Blue", 2016, oil on canvas, 27 x 20"

Kathy Liao

"Shadow's Gate", 2014, oil & wax on Yupo paper,  8 x 7" im.

Dale Lindman

"Grand Foyer, Paris Opera", 2005, pencil, ink, watercolor on paper, 30 x 44"

Elizabeth Ockwell

"Number 4", 2011, acrylic on paper, 22 x 30"

Robert Perlman

"Waiting", 2016, oil on paper, 12 x 9"

Anne Petty

"Budget Auto Wrecking", 2002, archival inkjet print, 24 x 32"

Glenn Rudolph

"Bird House 8", 2016, acrylic on paper, 22 x 20"

Robert Schlegel

"Water Tower", oil on canvas board, 11 x 14" image, 11.75 x 14.75" framed

Bill Sharp

"Branching", 2016, inkjet print 6 x 9"

Graham Shutt

"Untitled", 1996, charcoal on paper, 25x19", photo credit: Mark Frey

Linda Thomas

Kathy Vargas, "Masks Children Wear, Piggy", 2014, hand-colored gelatin silver print, 20x24" image, 24 x 30" framed

Kathy Vargas

"Interior with Woman and Red Carpet"

Jordan Wolfson

"Thicket", 2015, oil on canvas, 36 x 36"

Evelyn Woods

We also have works by:

"Leschi Park Trolley Bridge", 2016, silver gelatin print, 24 x 32" framed

Eduardo Calderón

 "Still Life Against a Clear Sky", 2013, oil on panel, 14.75 x 24"

Dean Fisher

"Treasure Chest", 2008, oil on panel, 19 x 30"

Matt Klos

"Arm's Reach"

Romey Stuckart

Atlas Cement near Olana (December 18,1997)

Susan Wides

Hut with Red Roof

Andrew Yates

"Water Tower", oil on canvas board, 11 x 14" image, 11.75 x 14.75" framed

"Water Tower", oil on canvas board, 11 x 14" image, 11.75 x 14.75" framed

"Deck Chair", 2014, oil on panel, 6 x 8" image, 12 x 14" framed

"Deck Chair", 2014, oil on panel, 6 x 8" image, 12 x 14" framed

"Lighthouse Near Ushuaia", oil on panel, 7.5 x 9.75" image, 8.75 x 10.5" framed

"Lighthouse Near Ushuaia", oil on panel, 7.5 x 9.75" image, 8.75 x 10.5" framed

"Studio Plein Air", oil on panel, 8 x 10" image, 8.75 x 10.75" framed

"Studio Plein Air", oil on panel, 8 x 10" image, 8.75 x 10.75" framed

"Cows at Coon", 2013, oil on panel, 9 x 12"

"Cows at Coon", 2013, oil on panel, 9 x 12"

"Right Hand Dolphin", 2012, mixed media, 9.75 x 13.5"

"Right Hand Dolphin", 2012, mixed media, 9.75 x 13.5"

"Water Glass", 2012, oil on panel, 11 x 14"

"Water Glass", 2012, oil on panel, 11 x 14"

Bill Sharp bio

Bill Sharp is a painter and printmaker who lives and works in Oregon.
 
His painting practice was interrupted for many years, when his wife, Leslie, became ill. After her death, Bill devoted himself to his painting practice full time again.
 
The experience of caring for his wife and seeing her through the end of her life had a profound effect on Bill’s experience of the world. The sense that life had once made dissolved. Painting became an exploration into seeing what it is about being alive that is so difficult to let go of. He looks at things now without the necessity of making sense of them, and tries to paint through the subject to what it is that drew him to it, what made him want to attach to it and thereby to life. 
 
Bill Sharp studied painting and printmaking at the University of Delaware and the Maryland Institute College of Art.