Caroline Kapp

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Artists

"Green Mansions", 2017, mixed media on paper, 30 x 22"

Fred Birchman

"Glass Jar Lid", 2009-11, oil on canvas, 26 x 30"

Brian Blackham

"Red Stripe Room", 2016, Archival Inkjet Print, ed. of 3, 20 x 20"

David Brody

"451573", circa 1980s, silver gelatin print, 8 x 10"

Marsha Burns

"Paris Mountain After the Ride", 2017, oil on linen, 18" x 18"

Kimberly Clark

"Large Cloud Above The Slough", 2008, oil on paper, 5" x 7"

Sally Cleveland

"Shannon in Passage", 2016, oil on canvas, 48" x 42"

Ann Gale

"Odds", 2016, archival ink jet, 20 x 15"

Ellen Garvens

"Timber", 2017, walnut ink on Yupo paper, 13” x 20.5” image, 22.5” x 29.75” framed

Kathy Gore Fuss

“Artifact”, 2017, oil on canvas, 52” x 67”

Philip Govedare

“All the Livings Things: Doll’s Eye, 6.5.16″, 2016, oil on Shikishi Kochi handmade paper, 9.5″ x 9.5”

Jim Holl

"Harman Site", 2011, acrylic on canvas, 32 x 36"

Michael Howard

"Boy on the Beach", 2012, acrylic, 6 x 6"

Amy Huddleston

"Loophole #1", 2018, Archival Inkjet Print on Aquarelle 310 GSM paper, 22 x 26" fr., single AP

Caroline Kapp

"Calilogy", 2009, archival pigment print, 24" x 17"

Dianne Kornberg

Untitled, 2015, archival inkjet print

Carolyn Krieg

"Of Course" view 1, 2018, Bronze, 18" x 12" x 5"

Phillip Levine

"Memory of Watermelons", 2017, oil & fabric on canvas, 54 x 43"

Kathy Liao

"First Frost", 2016, acrylic, pigment and oxides on birch panels, 96 3/8" x 66"

Dale Lindman

"La Salle, Paris Opera", 2009, pencil, ink, watercolor on paper, 30 x 44"

Elizabeth Ockwell

"Number 4", 1996, acrylic on paper, 30 x 22"

Robert Perlman

"Water", 2017, oil on canvas, 30" x 30"

Anne Petty

"Bird House with Figure", 2016, acrylic on paper, 22 x 18"

Robert Schlegel

"Water Tower", oil on canvas board, 11 x 14" image, 11.75 x 14.75" framed

Bill Sharp

"Branching", 2016, inkjet print 6 x 9"

Graham Shutt

"Innocent Age: Gloria & Spanish Dancer", 2005-12, hand-colored silver gelatin print, 30 x 24" fr.

Kathy Vargas

"Interior with Woman and Red Carpet"

Jordan Wolfson

"Lake Walk", 2017, oil on canvas, 24 x18"

Evelyn Woods

"Loophole #1", 2018, Archival Inkjet Print on Aquarelle 310 GSM paper, 22 x 26" fr., single AP

"Loophole #1", 2018, Archival Inkjet Print on Aquarelle 310 GSM paper, 22 x 26" fr., single AP

"Loophole #2", 2018, Archival Inkjet Print on Aquarelle 310 GSM paper, 22 x 26" fr., single AP

"Loophole #2", 2018, Archival Inkjet Print on Aquarelle 310 GSM paper, 22 x 26" fr., single AP

"Loophole #3", 2018, Archival Inkjet Print on Aquarelle 310 GSM paper, 22 x 26" fr., single AP

"Loophole #3", 2018, Archival Inkjet Print on Aquarelle 310 GSM paper, 22 x 26" fr., single AP

"Loophole #4", 2018, Archival Inkjet Print on Aquarelle 310 GSM paper, 22 x 26" fr., single AP

"Loophole #4", 2018, Archival Inkjet Print on Aquarelle 310 GSM paper, 22 x 26" fr., single AP

"Wall", 2017, archival inkjet print, 51.5 x 39.75"

"Wall", 2017, archival inkjet print, 51.5 x 39.75"

"Trickle", 2017, archival inkjet print, 51.5 x 39.75"

"Trickle", 2017, archival inkjet print, 51.5 x 39.75"

"Wipe", 2017, archival inkjet print, 51.5 x 39.75"

"Wipe", 2017, archival inkjet print, 51.5 x 39.75"

"Interior", 2015, archival inkjet print, 6 x 6"

"Interior", 2015, archival inkjet print, 6 x 6"

False Mirror, 2016, archival inkjet print, 9.5 x 14.25 ”, ed. ¼

"False Mirror", 2016, archival inkjet print, 9.5 x 14.25 ”, ed. ¼

Sifted, 2016, archival inkjet print, 10 x 10”, ed. 1/3

"Sifted", 2016, archival inkjet print, 10 x 10”, ed. 1/3

Pressed, 2016, archival inkjet print, 6 x 9”, ed. ¼  Sifted, 2016, archival inkjet print, 10 x 10”, ed.

"Pressed", 2016, archival inkjet print, 6 x 9”, ed. ¼ Sifted, 2016, archival inkjet print, 10 x 10”, ed.

"Downturned", 2015, giclee print, 9 x 13"

"Downturned", 2015, giclee print, 9 x 13"

"Upwards Downwards" diptych, 2015, giclee print, ed. of 3, 10 x 10" each image

"Upwards Downwards" diptych, 2015, giclee print, ed. of 3, 10 x 10" each image

"To Hold 1", 2015, giclee print, 12 x 12"

"To Hold 1", 2015, giclee print, 12 x 12"

"Wound, 2014, archival inkjet print, 13.5 x 9"

"Wound, 2014, archival inkjet print, 13.5 x 9"

 "Holes", 2014, archival inkjet print, 1/3, 11.75 x 11.75"

"Holes", 2014, archival inkjet print, 1/3, 11.75 x 11.75"

"Soft Hinge (Window #2)", 2014, archival inkjet print 1/3, 17.5 x 11.5”

"Soft Hinge (Window #2)", 2014, archival inkjet print 1/3, 17.5 x 11.5”

"Soft Hinge (Deadbolt)", 2014, archival inkjet print, ed. of 3, 14 x 9.5"

"Soft Hinge (Deadbolt)", 2014, archival inkjet print, ed. of 3, 14 x 9.5"

"Soft Hinge (Door)", 2014, archival inkjet print, ed. of 3, 9 x 6"

"Soft Hinge (Door)", 2014, archival inkjet print, ed. of 3, 9 x 6"

"Soft Hinge (Box)", 2014, archival inkjet print, ed. of 3, 14 x 9.5"

"Soft Hinge (Box)", 2014, archival inkjet print, ed. of 3, 14 x 9.5"

"Fittings", 2014, charcoal on paper, each image 19 x 19"

"Fittings", 2014, charcoal on paper, each image 19 x 19"

"Plugged", 2013, archival inkjet print, 8.5 x 12" image

"Plugged", 2013, archival inkjet print, 8.5 x 12" image

"Pin", 2006, archival inkjet print, ed. of 10, 12 x 12"

"Pin", 2006, archival inkjet print, ed. of 10, 12 x 12"

"Vent"

"Vent", 2006, archival inkjet print, ed. of 10, 12 x 12"

"Funnels"

"Funnels", 2006, archival inkjet print, ed. of 10, 12 x 12"

"Traces 2"

"Traces #2", 2007, archival digital print, ed. of 5, 13.5x10.5"

"Two Loops"

"Two Loops", 2008, archival inkjet print, ed. of 10, 12x17"

"Six Strings"

"Six Strings", 2008, archival inkjet print, ed. of 10, 12x17"

"Parallax #5"

"Parallax #5", 2011, archival digital print, ed. of 3, 16.25x9.75"

"Parallax #3"

"Parallax #3", 2011, archival digital print, ed. of 3, 16.25x9.75"

"Parallax #1"

"Parallax #1", 2011, archival digital print, ed. of 5, 7.25x9.5"

"Lemon (Three Ways), 2013, archival inkjet print, 9 x 12" image

"Lemon (Three Ways), 2013, archival inkjet print, 9 x 12" image

Caroline Kapp bio

Caroline Kapp is a visual artist best known for her quietly surreal photographic compositions that combine traditional and digital processes. Her multilayered techniques often involve drawing, printmaking, digital negatives and hand-coated paper, as well as scanning and digital manipulation of film negatives. Kapp’s subject matter, characteristically inanimate objects portrayed in unlikely ways, evokes questions of space, scale, and context that parallels human interactions and relationships. A California native, Kapp moved to the Pacific Northwest to study at Cornish College of the Arts for her BFA (2000), and later studied at the University of Washington for her MFA (2007). She has exhibited photography and video work locally, nationally, and internationally, and has been selected as resident fellow at several institutions including Virginia Center for Creative Arts and the Burren College of Art in County Clare, Ireland. Kapp is an adjunct professor instructing design, graphic software, humanities, and art theory courses at colleges around the Pacific Northwest.