Dianne Kornberg

[x]

Artists

"Transit of Venus", 2016, mixed media on paper, 32" x 42.5"

Fred Birchman

"Water Film", 2014, reworked 2016, oil on panel, 30 x 24"

Brian Blackham

"Red Stripe Room", 2016, Archival Inkjet Print, ed. of 3, 20 x 20"

David Brody

Untitled, 1983, Polaroid print

Marsha Burns

"Paris Mountain", 2016, oil on canvas

Kimberly Clark

"Grey Clouds Over Ghost Buildings", 2011, graphite, watercolor and gouache on paper, 5 x 6.75"

Sally Cleveland

"Concrete Form #5", 2011, graphite on paper, 23 x 29" paper size

Steve Costie

"Dentil", 2013, ink on paper, 17 x 23"

John Fadeff

"Odds", 2016, archival ink jet, 20 x 15"

Ellen Garvens

"Ellis Cove Trail", 2016, walnut ink on paper, 5.75 x 3.75"

Kathy Gore Fuss

"Melt", 2012, oil on canvas, 66 x 62”

Philip Govedare

“All the Livings Things: Doll’s Eye, 6.5.16″, 2016, oil on Shikishi Kochi handmade paper, 9.5″ x 9.5”

Jim Holl

"K.M. (backyard)", 2011, acrylic on canvas, 16.25 x 11"

Michael Howard

"Pink Wig", 2015, oil on canvas board, 11 x 14"

Amy Huddleston

False Mirror, 2016, archival inkjet print, 9.5 x 14.25 ”, ed. ¼

Caroline Kapp

"Fjallabek", 2002, archival pigment print on rag paper, 16.5 x 22” on 19" x 24” paper

Dianne Kornberg

"Aracuna", 2015, archival pigment print, 8 x 10"

Carolyn Krieg

Mikleyn

Phillip Levine

"Hallway Blue", 2016, oil on canvas, 27 x 20"

Kathy Liao

"Shadow's Gate", 2014, oil & wax on Yupo paper,  8 x 7" im.

Dale Lindman

"Grand Foyer, Paris Opera", 2005, pencil, ink, watercolor on paper, 30 x 44"

Elizabeth Ockwell

"Number 4", 2011, acrylic on paper, 22 x 30"

Robert Perlman

"Waiting", 2016, oil on paper, 12 x 9"

Anne Petty

"Budget Auto Wrecking", 2002, archival inkjet print, 24 x 32"

Glenn Rudolph

"Bird House with Figure", 2016, acrylic on paper, 22 x 18"

Robert Schlegel

"Water Tower", oil on canvas board, 11 x 14" image, 11.75 x 14.75" framed

Bill Sharp

"Branching", 2016, inkjet print 6 x 9"

Graham Shutt

"Untitled", 1996, charcoal on paper, 25x19", photo credit: Mark Frey

Linda Thomas

Kathy Vargas, "Masks Children Wear, Piggy", 2014, hand-colored gelatin silver print, 20x24" image, 24 x 30" framed

Kathy Vargas

"Interior with Woman and Red Carpet"

Jordan Wolfson

"Thicket", 2015, oil on canvas, 36 x 36"

Evelyn Woods

We also have works by:

"Leschi Park Trolley Bridge", 2016, silver gelatin print, 24 x 32" framed

Eduardo Calderón

 "Still Life Against a Clear Sky", 2013, oil on panel, 14.75 x 24"

Dean Fisher

"Treasure Chest", 2008, oil on panel, 19 x 30"

Matt Klos

"Arm's Reach"

Romey Stuckart

Atlas Cement near Olana (December 18,1997)

Susan Wides

Hut with Red Roof

Andrew Yates

"Fjallabek", 2002, archival pigment print on rag paper, 16.5 x 22” on 19" x 24” paper

"Fjallabek", 2002, archival pigment print on rag paper, 16.5 x 22” on 19" x 24” paper

"Havefjall", 2002, archival pigment print on rag paper, 16.5 x 22” on 19" x 24” paper

"Havefjall", 2002, archival pigment print on rag paper, 16.5 x 22” on 19" x 24” paper

"Swimmers, Viti Lake", 2002, archival pigment print on rag paper, 16.5 x 22” on 19" x 24” paper

"Swimmers, Viti Lake", 2002, archival pigment print on rag paper, 16.5 x 22” on 19" x 24” paper

“Cauldera 2”, 2002, archival pigment print on rag paper, 16.5" x 22” on 19" x 24” paper

“Cauldera 2”, 2002, archival pigment print on rag paper, 16.5" x 22” on 19" x 24” paper

"Kulusk", 2002, archival pigment print on rag paper, 16.5 x 22” on 19" x 24” paper

"Kulusk", 2002, archival pigment print on rag paper, 16.5 x 22” on 19" x 24” paper

"Cauldera 1", 2002, archival pigment print on rag paper, 16.5 x 22” on 19" x 24” paper

"Cauldera 1", 2002, archival pigment print on rag paper, 16.5 x 22” on 19" x 24” paper

"Askja", 2002, archival pigment print on rag paper, 16.5 x 22” on 19" x 24” paper

"Askja", 2002, archival pigment print on rag paper, 16.5 x 22” on 19" x 24” paper

"Rose was all there was 2" (with poet Elizabeth Frost), 2015, archival pigment print, ed. 1/3, 24x 24"

"Rose was all there was 2" (with poet Elizabeth Frost), 2015, archival pigment print, ed. 1/3, 24x 24"

"Rose was all there was 3" (with poet Elizabeth Frost), 2015, archival pigment print, ed. 1/3, 24x 24"

"Rose was all there was 3" (with poet Elizabeth Frost), 2015, archival pigment print, ed. 1/3, 24x 24"

"Rose was all there was 5" (with poet Elizabeth Frost), 2015, archival pigment print, ed. 1/3, 24x 24"

"Rose was all there was 5" (with poet Elizabeth Frost), 2015, archival pigment print, ed. 1/3, 24x 24"

"Rose was all there was 4" (with poet Elizabeth Frost), 2015, archival pigment print, ed. 1/3, 24x 24"

"Rose was all there was 4" (with poet Elizabeth Frost), 2015, archival pigment print, ed. 1/3, 24x 24"

"For All We Know 1" (with poet Elizabeth Frost, 2015, archival pigment print, ed. 1/3, 17 x 44"

"For All We Know 1" (with poet Elizabeth Frost, 2015, archival pigment print, ed. 1/3, 17 x 44"

"For All We Know 2" (with poet Elizabeth Frost, 2015, archival pigment print, ed. 1/3, 17 x 44"

"For All We Know 2" (with poet Elizabeth Frost, 2015, archival pigment print, ed. 1/3, 17 x 44"

"For All We Know 3" (with poet Elizabeth Frost, 2015, archival pigment print, ed. 1/3, 17 x 44"

"For All We Know 3" (with poet Elizabeth Frost, 2015, archival pigment print, ed. 1/3, 17 x 44"

"Cartwheel 5", 1995, selenium-toned silver gelatin print, 50 x 40"

"Cartwheel 5", 1995, selenium-toned silver gelatin print, 50 x 40"

"Madonna Bomb 3", 2012, archival pigment print, 37 x 96"

"Madonna Bomb 3", 2012, archival pigment print, 37 x 96"

"Madonna of Materialism 2", archival pigment print, 2012, 54 x 35"

"Madonna of Materialism 2", archival pigment print, 2012, 54 x 35"

"Education of the Virgin 8", 2012, archival pigment print, 42 x 54"

"Education of the Virgin 8", 2012, archival pigment print, 42 x 54"

"Madonna Bomb 2", 2012, archival pigment print, 48 x 31"

"Madonna Bomb 2", 2012, archival pigment print, 48 x 31"

"India Tiger 5", 1995, selenium-toned silver gelatin print, 21.5 x 17.5"

"India Tiger 5", 1995, selenium-toned silver gelatin print, 21.5 x 17.5"

"India Tiger 10", 1995, selenium-toned silver gelatin print, 21.5 x 17.5"

"India Tiger 10", 1995, selenium-toned silver gelatin print, 21.5 x 17.5"

"House of Stone 1", 2014, archival pigment print, 12 x 19.5"

"House of Stone 1", 2014, archival pigment print, 12 x 19.5"

"House of Stone 5", 2014, archival pigment print, 12 x 19.5"

"House of Stone 5", 2014, archival pigment print, 12 x 19.5"

"House of Stone 7", 2014, archival pigment print, 12 x 19.5"

"House of Stone 7", 2014, archival pigment print, 12 x 19.5"

"House of Stone 10", 2014, archival pigment print, 12 x 19.5"

"House of Stone 10", 2014, archival pigment print, 12 x 19.5"

"The Lore That Nature Brings", 2009, archival pigment print, 24 x 17"

"The Lore That Nature Brings", 2009, archival pigment print, 24 x 17"

"The Business of Her Life", 2009, archival pigment print, 24 x 17"

"The Business of Her Life", 2009, archival pigment print, 24 x 17"

"Aurelia", 1993, selenium-toned silver gelatin print, 24 x 20"

"Aurelia", 1993, selenium-toned silver gelatin print, 24 x 20"

"Equus caballus", 1998, sepia & selenium-toned silver gelatin print, 8 x 10"

"Equus caballus", 1998, sepia & selenium-toned silver gelatin print, 8 x 10"

"Dog Skull", 1993, selenium-toned silver gelatin print, 20 x 16"

"Dog Skull", 1993, selenium-toned silver gelatin print, 20 x 16"

"To Kate", 1994, selenium-toned silver gelatin print, 27 x 23.25"

"To Kate", 1994, selenium-toned silver gelatin print, 27 x 23.25"

"For All We Know 4" (with poet Elizabeth Frost, 2015, archival pigment print, ed. 1/3, 17 x 44"

"For All We Know 4" (with poet Elizabeth Frost, 2015, archival pigment print, ed. 1/3, 17 x 44"

"Jack in the Box 4", 1996/2014, archival pigment print, 24 x 23"

"Jack in the Box 4", 1996/2014, archival pigment print, 24 x 23"

Dianne Kornberg bio

Professor Emerita at Pacific Northwest College of Art, Kornberg received her MFA (painting) from Indiana University and her BFA from the University of Washington. In 1980 she began to use (and teach) photography as her primary medium for making art. Since 2007, her collaborations with poets Elisabeth Frost and Celia Bland have taken her into new visual and conceptual terrains. Digital software and pigment printmaking allow Dianne to use her skills as both photographer and painter to create large-scale, hybrid prints. 
 
Kornberg’s work is in several important collections, including those of the International Center for Photography, the Princeton Art Museum, the Houston Museum of Art, the Seattle Art Museum, the Portland Art Museum, Tacoma Art Museum, the Henry Gallery, and the Embassy in Belize. It appears in book publications including Contemporary Art of the Northwest (Craftsman House, 1995), 100 Artists of the West Coast (Schiffer Publishing, 2003), and Portland Art Museum, Selections from the Collection. In 2007, Field Notes: Photographs by Dianne Kornberg 1992-2007, was published by the Art Gym; and in 2009, India Tigers, was published by William, James, and Co. Madonna Comix (with Celia Bland)—is now in production (William, James, and Co, 2014).