Fred Birchman

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Artists

"Green Mansions", 2017, mixed media on paper, 30 x 22"

Fred Birchman

"Red Stripe Room", 2016, Archival Inkjet Print, ed. of 3, 20 x 20"

David Brody

Marcus and Edwin, circa early 1980s, silver gelatin print, 20 x 16” paper size

Marsha Burns

"Paris Mountain After the Ride", 2017, oil on linen, 18" x 18"

Kimberly Clark

"Wall", 2008, oil on paper, 5" x 7"

Sally Cleveland

"Shannon in Passage", 2016, oil on canvas, 48" x 42"

Ann Gale

"Erase", 2014, archival inkjet print, 18 x 24"

Ellen Garvens

"Nature's Reward", 2017, walnut ink on Yupo paper, 25.5” x 33.5” image, 36.75” x 44” framed

Kathy Gore Fuss

“Artifact”, 2017, oil on canvas, 52” x 67”

Philip Govedare

"All the Living Things: Pacific Bleeding Hear", 12.15.15, oil on Shikishi Kochi handmade paper, 9.5 x 9.5"

Jim Holl

"Harman Site", 2011, acrylic on canvas, 32 x 36"

Michael Howard

"Boy on the Beach", 2012, acrylic, 6 x 6"

Amy Huddleston

"Loophole #1", 2018, Archival Inkjet Print on Aquarelle 310 GSM paper, 22 x 26" fr., single AP

Caroline Kapp

"Calilogy", 2009, archival pigment print, 24" x 17"

Dianne Kornberg

Untitled, 2015, archival inkjet print

Carolyn Krieg

"Of Course" view 1, 2018, Bronze, 18" x 12" x 5"

Phillip Levine

"2am Apparition", 2016, oil and Washi tape on linen, 24 x 24"

Kathy Liao

"First Frost", 2016, acrylic, pigment and oxides on birch panels, 96 3/8" x 66"

Dale Lindman

"La Salle, Paris Opera", 2009, pencil, ink, watercolor on paper, 30 x 44"

Elizabeth Ockwell

"Number 4", 1996, acrylic on paper, 30 x 22"

Robert Perlman

"Water", 2017, oil on canvas, 30" x 30"

Anne Petty

"Bird House with Figure", 2016, acrylic on paper, 22 x 18"

Robert Schlegel

"Water Tower", oil on canvas board, 11 x 14" image, 11.75 x 14.75" framed

Bill Sharp

"Construction 007" 2014, archival inkjet print, 12 x 18"

Graham Shutt

"Innocent Age: Gloria & Spanish Dancer", 2005-12, hand-colored silver gelatin print, 30 x 24" fr.

Kathy Vargas

"Interior with Woman and Red Carpet"

Jordan Wolfson

"Lake Walk", 2017, oil on canvas, 24 x18"

Evelyn Woods

"Anemone", 2017, mixed media on paper, 46” x 15” im., 51” x 20” fr.

"Anemone", 2017, mixed media on paper, 46” x 15” im., 51” x 20” fr.

"Daphne", 2017, mixed media on paper, 46” x 15” im., 51” x 20” fr.

"Daphne", 2017, mixed media on paper, 46” x 15” im., 51” x 20” fr.

"Eros", 2017, mixed media on paper, 46” x 15” im., 51” x 20” fr.

"Eros", 2017, mixed media on paper, 46” x 15” im., 51” x 20” fr.

"The Sleeping Room", 2017, mixed media on paper, 30 x 22"

"the Sleeping Room", 2017, mixed media on paper, 30 x 22"

"Blue Architect", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 50” x 19” image, 52.5” x 22” framed

"Blue Architect", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 50” x 19” image, 52.5” x 22” framed

"Dark Arkitekt", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 19” x 49” image, 22” x 53” framed

"Dark Arkitekt", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 19” x 49” image, 22” x 53” framed

"LIFE and LIMB", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 18.5” x 34” image, 20.5” x 36.25” framed

"LIFE and LIMB", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 18.5” x 34” image, 20.5” x 36.25” framed

"Flash Flood", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 19” x 50” image, 22.25” x 53.5” framed

"Flash Flood", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 19” x 50” image, 22.25” x 53.5” framed

"Like a House on Fire", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 37” x 25” image, 39.25” x 26.25” framed

"Like a House on Fire", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 37” x 25” image, 39.25” x 26.25” framed

"The Man in the Red Turban (after Van Eyck)", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 48” x 19” image, 53” x 22” framed

"The Man in the Red Turban (after Van Eyck)", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 48” x 19” image, 53” x 22” framed

"Muse", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 50” x 19” image, 52.5” x 21.25” framed

"Muse", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 50” x 19” image, 52.5” x 21.25” framed

"String Theory" (large version), 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 19” x 49” image, 22” x 53” framed

"String Theory" (large version), 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 19” x 49” image, 22” x 53” framed

"Muse #1", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 25” x 22” image, 32.25” x 24.25” framed

"Muse #1", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 25” x 22” image, 32.25” x 24.25” framed

"Muse #2", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 25” x 22” image, 32.25” x 24.25” framed

"Muse #2", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 25” x 22” image, 32.25” x 24.25” framed

"Muse #3", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 25” x 22” image, 32.25” x 24.25” framed

"Muse #3", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 25” x 22” image, 32.25” x 24.25” framed

"String Theory" (small version), 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 19” x 24.5” image, 21” x 27” framed

"String Theory" (small version), 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 19” x 24.5” image, 21” x 27” framed

"Shelter", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 11” x 30” image, 17.75” x 35.75” framed

"Shelter", 2017, graphite, raw pigments, lamp black, watercolor, acrylic, ink, and coffee on paper, 11” x 30” image, 17.75” x 35.75” framed

Fred Birchman bio

Fred Birchman is a graduate of Western Washington University and lives and works in Seattle. He had regular solo shows at Francine Seders Gallery until it closed in late 2013. Birchman’s work has also been included in numerous invitational exhibitions including Yesterday’s Tomorrow at the Museum of Northwest Art in LaConner, Washington; West Coast Drawing Show at Koplin Del Rio Gallery in Culver City, California, in 2009; and Century 21: Dealer’s Choice at the Wright Exhibition Space in Seattle in 2008. In addition, his work has appeared in several Prographica exhibitions, most recently Arranged amp; Discovered: The Contemporary Still Life in 2014. Birchman’s work is in the collections of many regional corporations and museums including Microsoft Corporation, Redmond, Washington; the Museum of Northwest Art, La Conner; Washington State’s Arts in Public Places Program; and Western Washington University, Bellingham, Washington. http://www.fbirchmanart.com/