Marsha Burns

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Artists

"Transit of Venus", 2016, mixed media on paper, 32" x 42.5"

Fred Birchman

"Sugar Cubes", 2016, oil on panel, 12 x 16"

Brian Blackham

"Red Stripe Room", 2016, Archival Inkjet Print, ed. of 3, 20 x 20"

David Brody

Untitled, 1983, Polaroid print

Marsha Burns

"Paris Mountain", 2016, oil on canvas

Kimberly Clark

"Grey Clouds Over Ghost Buildings", 2011, graphite, watercolor and gouache on paper, 5 x 6.75"

Sally Cleveland

"Concrete Form #5", 2011, graphite on paper, 23 x 29" paper size

Steve Costie

"Dentil", 2013, ink on paper, 17 x 23"

John Fadeff

"Odds", 2016, archival ink jet, 20 x 15"

Ellen Garvens

"Ellis Cove Trail", 2016, walnut ink on paper, 5.75 x 3.75"

Kathy Gore Fuss

"Melt", 2012, oil on canvas, 66 x 62”

Philip Govedare

“All the Livings Things: Doll’s Eye, 6.5.16″, 2016, oil on Shikishi Kochi handmade paper, 9.5″ x 9.5”

Jim Holl

"K.M. (backyard)", 2011, acrylic on canvas, 16.25 x 11"

Michael Howard

"Pink Wig", 2015, oil on canvas board, 11 x 14"

Amy Huddleston

False Mirror, 2016, archival inkjet print, 9.5 x 14.25 ”, ed. ¼

Caroline Kapp

"Fjallabek", 2002, archival pigment print on rag paper, 16.5 x 22” on 19" x 24” paper

Dianne Kornberg

"Aracuna", 2015, archival pigment print, 8 x 10"

Carolyn Krieg

Mikleyn

Phillip Levine

"Hallway Blue", 2016, oil on canvas, 27 x 20"

Kathy Liao

"Shadow's Gate", 2014, oil & wax on Yupo paper,  8 x 7" im.

Dale Lindman

"Grand Foyer, Paris Opera", 2005, pencil, ink, watercolor on paper, 30 x 44"

Elizabeth Ockwell

"Number 4", 2011, acrylic on paper, 22 x 30"

Robert Perlman

"Waiting", 2016, oil on paper, 12 x 9"

Anne Petty

"Budget Auto Wrecking", 2002, archival inkjet print, 24 x 32"

Glenn Rudolph

"Bird House 8", 2016, acrylic on paper, 22 x 20"

Robert Schlegel

"Water Tower", oil on canvas board, 11 x 14" image, 11.75 x 14.75" framed

Bill Sharp

"Branching", 2016, inkjet print 6 x 9"

Graham Shutt

"Untitled", 1996, charcoal on paper, 25x19", photo credit: Mark Frey

Linda Thomas

Kathy Vargas, "Masks Children Wear, Piggy", 2014, hand-colored gelatin silver print, 20x24" image, 24 x 30" framed

Kathy Vargas

"Interior with Woman and Red Carpet"

Jordan Wolfson

"Thicket", 2015, oil on canvas, 36 x 36"

Evelyn Woods

We also have works by:

"Leschi Park Trolley Bridge", 2016, silver gelatin print, 24 x 32" framed

Eduardo Calderón

 "Still Life Against a Clear Sky", 2013, oil on panel, 14.75 x 24"

Dean Fisher

"Treasure Chest", 2008, oil on panel, 19 x 30"

Matt Klos

"Arm's Reach"

Romey Stuckart

Atlas Cement near Olana (December 18,1997)

Susan Wides

Hut with Red Roof

Andrew Yates

No.15(Bobbie) 2010-11 arch-dig

"No.15 (Bobbie)", 2010-11, archival digital print, 11.25x20"

Untitled, no date, silver gelatin print, unique

Untitled, no date, silver gelatin print, unique

Untitled, no date, silver gelatin print, unique

Untitled, no date, silver gelatin print, unique

Untitled, no date, silver gelatin print, unique

Untitled, no date, silver gelatin print, unique

"Liz- Head Back", nd, silver gelatin print

"Liz- Head Back", nd, silver gelatin print, 9x6.75"

Untitled, no date, silver gelatin print, unique

Untitled, no date, silver gelatin print, unique

No. 5 (CrespyII) 2010-11 arch dig print11.25x20

"No. 5 (Crespy II)", 2010-11 archival digital print, 11.25x20"

Untitled 2010-11 arch dig print 11.25x20

Untitled, 2010-11, archival digital print, 11.25x20"

"Italian Series #5"

"Italian Series #5"

"In Luxor"

"In Luxor", 1998, silver gelatin print, 12.5x19"

"In Maxine's Studio"

"In Maxine's Studio", nd, chromogenic print, 13.5x20.25"

"Powder Landscape Series", 1977

"Powder Landscape Series", 1977, silver gelatin print

N0. 206, No. 6 (Final 206) 2010-11 archival digital print 11.25x20"

"No. 206, No. 6 (Final 206)", 2010-11 archival digital print, 11.25x20"

Marsha Burns bio

Marsha Burns

Marsha Burns studied at the University of Washington (1963-65) and the University of Massachusetts (1967-69).

She has received two fellowships from the National Endowment for the Arts (1978, 1988). In the past twenty years her work has been included in partners: Considerations Rather Than Constraints at the Kirkland Fine Arts Center, Kirkland, WA (2005); Marsha Burns: Portrait of America at the Anderson Gallery, Virginia Commonwealth University, Richmond, VA (2003); Marsha Burns: New Photographs at the Charles Cowles Gallery, New York, NY (2001); Eye of the Beholder at the International Center of Photography, New York, NY (1997); Selections 6: Works from the Polaroid Collection at Weber State University, Ogden, UT (1996); About Face at the Houston Center for Photography (1994), To Collect the Art of Women: the Jane Reese Williams Collection of Photography at the Museum of New Mexico, Santa Fe, NM (1992); People and Places at Northern Illinois University Art Museum, Chicago, IL (1991); and Northwest Annual at the Center on Contemporary Art, Seattle, WA (1990).

 

Marsha Burns’ photographs are in the collections of the Museum of Modern Art (New York, NY), the Metropolitan Museum of Art (New York, NY), the Seattle Art Museum (Seattle, WA), the Center for Creative Photography at the University of Arizona (Tucson, AZ), and the Stedelijk Museum (Amsterdam, the Netherlands).