Sally Cleveland

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Artists

"Transit of Venus", 2016, mixed media on paper, 32" x 42.5"

Fred Birchman

"Sugar Cubes", 2016, oil on panel, 12 x 16"

Brian Blackham

"Red Stripe Room", 2016, Archival Inkjet Print, ed. of 3, 20 x 20"

David Brody

Untitled, 1983, Polaroid print

Marsha Burns

"Paris Mountain", 2016, oil on canvas

Kimberly Clark

"Grey Clouds Over Ghost Buildings", 2011, graphite, watercolor and gouache on paper, 5 x 6.75"

Sally Cleveland

"Concrete Form #5", 2011, graphite on paper, 23 x 29" paper size

Steve Costie

"Dentil", 2013, ink on paper, 17 x 23"

John Fadeff

"Odds", 2016, archival ink jet, 20 x 15"

Ellen Garvens

"Ellis Cove Trail", 2016, walnut ink on paper, 5.75 x 3.75"

Kathy Gore Fuss

"Melt", 2012, oil on canvas, 66 x 62”

Philip Govedare

“All the Livings Things: Doll’s Eye, 6.5.16″, 2016, oil on Shikishi Kochi handmade paper, 9.5″ x 9.5”

Jim Holl

"K.M. (backyard)", 2011, acrylic on canvas, 16.25 x 11"

Michael Howard

"Pink Wig", 2015, oil on canvas board, 11 x 14"

Amy Huddleston

False Mirror, 2016, archival inkjet print, 9.5 x 14.25 ”, ed. ¼

Caroline Kapp

"Fjallabek", 2002, archival pigment print on rag paper, 16.5 x 22” on 19" x 24” paper

Dianne Kornberg

"Aracuna", 2015, archival pigment print, 8 x 10"

Carolyn Krieg

Mikleyn

Phillip Levine

"Hallway Blue", 2016, oil on canvas, 27 x 20"

Kathy Liao

"Shadow's Gate", 2014, oil & wax on Yupo paper,  8 x 7" im.

Dale Lindman

"Grand Foyer, Paris Opera", 2005, pencil, ink, watercolor on paper, 30 x 44"

Elizabeth Ockwell

"Number 4", 2011, acrylic on paper, 22 x 30"

Robert Perlman

"Waiting", 2016, oil on paper, 12 x 9"

Anne Petty

"Budget Auto Wrecking", 2002, archival inkjet print, 24 x 32"

Glenn Rudolph

"Bird House 8", 2016, acrylic on paper, 22 x 20"

Robert Schlegel

"Water Tower", oil on canvas board, 11 x 14" image, 11.75 x 14.75" framed

Bill Sharp

"Branching", 2016, inkjet print 6 x 9"

Graham Shutt

"Untitled", 1996, charcoal on paper, 25x19", photo credit: Mark Frey

Linda Thomas

Kathy Vargas, "Masks Children Wear, Piggy", 2014, hand-colored gelatin silver print, 20x24" image, 24 x 30" framed

Kathy Vargas

"Interior with Woman and Red Carpet"

Jordan Wolfson

"Thicket", 2015, oil on canvas, 36 x 36"

Evelyn Woods

We also have works by:

"Leschi Park Trolley Bridge", 2016, silver gelatin print, 24 x 32" framed

Eduardo Calderón

 "Still Life Against a Clear Sky", 2013, oil on panel, 14.75 x 24"

Dean Fisher

"Treasure Chest", 2008, oil on panel, 19 x 30"

Matt Klos

"Arm's Reach"

Romey Stuckart

Atlas Cement near Olana (December 18,1997)

Susan Wides

Hut with Red Roof

Andrew Yates

"Grey Clouds Over Ghost Buildings", 2011, graphite, watercolor and gouache on paper, 5 x 6.75"

"Grey Clouds Over Ghost Buildings", 2011, graphite, watercolor and gouache on paper, 5 x 6.75"

"Two Cows Up the Way", 2010, oil on paper, 3.25 x 4 5/8"

"Two Cows Up the Way", 2010, oil on paper, 3.25 x 4 5/8"

"Washington County Curve", 2012, oil on paper, 3.25 x 2.5"

"Washington County Curve", 2012, oil on paper, 3.25 x 2.5"

"Grey Street Scene", 2014, oil on paper, 10 x 14"

"Grey Street Scene", 2014, oil on paper, 10 x 14"

"Cigarette Store on 82nd", 2015, oil on paper, 5.5 x 9.75"

"Cigarette Store on 82nd", 2015, oil on paper, 5.5 x 9.75"

"Sky / Cow / Puget Island", 2015, oil on paper, 12 3/8 x 28"

"Sky / Cow / Puget Island", 2015, oil on paper, 12 3/8 x 28"

Irrigation Ditch Near Bower's Junction, 2012, oil on paper 3 7/8 x 7 1/2"

"Irrigation Ditch Near Bower's Junction", 2012, oil on paper, 3 7/8 x 7 1/2"

"Island Sheep and Trees", 2015, oil on paper, 5 x 13"

"Island Sheep and Trees", 2015, oil on paper, 5 x 13"

"Mud Line", 2015, oil on paper, 2 x 15"

"Mud Line", 2015, oil on paper, 2 x 15"

Sally Cleveland bio

Sally Cleveland is a Portland, Oregon native and a graduate of the Pacific Northwest College of Art. Cleveland has received grants from the Vermont Studio Center (Johnson, Vermont) and Artists’ Fellowships, Inc. (New York, New York). She shows regularly in Portland and Seattle galleries, and her work has been included in numerous invitational exhibitions. About her work, Cleveland writes: “I am drawn to sites that I recognize in some instinctive way. I prefer subject matter that is lacking in apparent grace or easy description. My paintings and drawings are an attempt to see past the surface of things.”