Susan Wides



"Transit of Venus", 2016, mixed media on paper, 32" x 42.5"

Fred Birchman

"Water Film", 2014, reworked 2016, oil on panel, 30 x 24"

Brian Blackham

"Red Stripe Room", 2016, Archival Inkjet Print, ed. of 3, 20 x 20"

David Brody

Untitled, 1983, Polaroid print

Marsha Burns

"Paris Mountain", 2016, oil on canvas

Kimberly Clark

"Grey Clouds Over Ghost Buildings", 2011, graphite, watercolor and gouache on paper, 5 x 6.75"

Sally Cleveland

"Concrete Form #5", 2011, graphite on paper, 23 x 29" paper size

Steve Costie

"Dentil", 2013, ink on paper, 17 x 23"

John Fadeff

"Odds", 2016, archival ink jet, 20 x 15"

Ellen Garvens

"Undisturbed", 2017, walnut ink on paper, 7.25 x 5.25"

Kathy Gore Fuss

“Artifact”, 2017, oil on canvas, 52” x 67”

Philip Govedare

“All the Livings Things: Doll’s Eye, 6.5.16″, 2016, oil on Shikishi Kochi handmade paper, 9.5″ x 9.5”

Jim Holl

"K.M. (backyard)", 2011, acrylic on canvas, 16.25 x 11"

Michael Howard

"Pink Wig", 2015, oil on canvas board, 11 x 14"

Amy Huddleston

False Mirror, 2016, archival inkjet print, 9.5 x 14.25 ”, ed. ¼

Caroline Kapp

"Fjallabek", 2002, archival pigment print on rag paper, 16.5 x 22” on 19" x 24” paper

Dianne Kornberg

"Aracuna", 2015, archival pigment print, 8 x 10"

Carolyn Krieg


Phillip Levine

"Memory of Watermelons", 2017, oil & fabric on canvas, 54 x 43"

Kathy Liao

"Shadow's Gate", 2014, oil & wax on Yupo paper,  8 x 7" im.

Dale Lindman

"Grand Foyer, Paris Opera", 2005, pencil, ink, watercolor on paper, 30 x 44"

Elizabeth Ockwell

"Number 4", 1996, acrylic on paper, 30 x 22"

Robert Perlman

"Waiting", 2016, oil on paper, 12 x 9"

Anne Petty

"Budget Auto Wrecking", 2002, archival inkjet print, 24 x 32"

Glenn Rudolph

"Bird House with Figure", 2016, acrylic on paper, 22 x 18"

Robert Schlegel

"Water Tower", oil on canvas board, 11 x 14" image, 11.75 x 14.75" framed

Bill Sharp

"Branching", 2016, inkjet print 6 x 9"

Graham Shutt

"Untitled", 1996, charcoal on paper, 25x19", photo credit: Mark Frey

Linda Thomas

Kathy Vargas, "Masks Children Wear, Piggy", 2014, hand-colored gelatin silver print, 20x24" image, 24 x 30" framed

Kathy Vargas

"Interior with Woman and Red Carpet"

Jordan Wolfson

 Tree #13, 2013, oil on canvas, 20 x 20"

Evelyn Woods

We also have works by:

 "Still Life Against a Clear Sky", 2013, oil on panel, 14.75 x 24"

Dean Fisher

"Treasure Chest", 2008, oil on panel, 19 x 30"

Matt Klos

"Arm's Reach"

Romey Stuckart

Atlas Cement near Olana (December 18,1997)

Susan Wides

Hut with Red Roof

Andrew Yates

Atlas Cement near Olana (December 18,1997)

"Atlas Cement near Olana (December 18,1997)", 1997, chromogenic print, 24.5x24.5"

"Fresh Kills #5"

"Fresh Kills #5", 2000, chromogenic print, ed. 1 of 9, 39.6x51"

"February 4, 2010, (Fifth Ave.)"

"February 4, 2010, (Fifth Ave.)", 2010, chromogenic print, ed. 1 of 9, 30x20"

February 19, 2010, Met

"February 19, 2010, Met", 2010, chromogenic print, 30x20"

"Fresh Kills #2"

"Fresh Kills #2", 2010, chromogenic print, ed. 2 of 9, 39.5x57"

Susan Wides bio

Susan Wides

Susan Wides is an artist/photographer based in New York City and Catskill, NY She grew up in Cincinnati, Ohio; she attended Kenyon College and Indiana University, where she studied with the influential New Bauhaus photographer, Henry Holmes Smith. Her photographs have been featured in eighteen one-person shows and over sixty group exhibitions in the US and Europe.

Wides has had solo exhibitions at The Center For Creative Photography, Samuel Dorsky Museum of Art, Art in General, Urbi et Orbi Galerie and PS122. Her work resides is in the institutional collections of the International Center of Photography, Princeton University Art Museum, Brooklyn Museum, Bibliotheque Nationale and The Center for Creative Photography, Norton Museum, The New School and Museum of the City of New York, among others. Articles about her work have appeared in Art in America, Artforum, NewYork Times, New Yorker, Village Voice and many catalogues. Her photographs will be featured in both an Abrams Book and a Rizzoli International anthology on contemporary color photography of New York; both books will be published in 2011.

Wides contributes to magazines such as New York and Harper’s. She exhibits her work regularly at Kim Foster Gallery in New York City. A thirteen year survey of her urban, rural and suburban landscape work will be exhibited at the Hudson River Museum in the summer of 2011.